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| I DID IT!!!Not only did I complete the challenge (220 pages, OWC), but I finished the script! Yeah, I was up until midnight last night doing it, but...it's done!!! With a week to go, no less.
I've NEVER finished something like this before.
Okay. Obviously, next step is to upload script to Interwebs. I have now done so.
Click here to read. It's a PDF, so you have to be able to read PDFs to get it.
I'm pleased with how it turned out, actually. | | |
| Executive DecisionsI've been doing a lot of editing of "God Bless the Broken Road" when adapting it. I cut Bill out of a couple of scenes where he had no reason to be there...I'm gonna kind of change at least one Order meeting to just the people discussing it...and I'm substituting Ginny for Ron in a scene that was originally intended to have shippy undertones. There's a Death Eater named Olivia Benson...originally she was the SVU detective, but I think that it's just the name that's gonna be the same now. I think I'm gonna edit the Halloween scene into a music montage that kind of mushes October and November together.
I'm at 108 pages and counting. GLEE!!! | | |
| SoundtrackObviously I have too much time on my hands, but really, with play practice not until 6 and no classes today, what else was I going to do? Besides, I have thirty-six pages written so far, which puts me well ahead of schedule, and I thought I'd share the soundtrack with you.
1. Hedwig's Theme 2. Wind that Shakes the Corn [Lily's Theme] * 3. Skye Boat Song [Graveyard Theme] 4. Durham Rangers 5. Let It Be * 6. Traditional Irish Suite 1 [The Weasleys' Theme] 7. Piper's Dance [The Detectives' Theme] 8. Do You Believe In Magic 9. Bonnie Jean o' Aberdeen [Becca's Theme] 10. Dark Isle [The Death Eaters' Theme] 11. Scotland The Brave [Severus's Theme] 12. Say, Say, Oh Playmate [Caroline's Theme] 13. Londonderry Air [The Order's Theme] 14. Rhymes and Reasons ** 15. Peace Carol *** 16. Muffin Man ** 17. Bicycle Built for Two + 18. Ye Banks and Braes o' Bonny Doon 19. Welcome Christmas 20. Noel: Christmas 1913 ++ 21. When the River Meets the Sea +++ 22. Christmas Tree Medley (Alfie the Christmas Tree/Carol to a Christmas Tree/It's In Every One of Us) ^ 23. Kitty's Gone A-Milkin' 24. Little Bird, Little Bird ** 25. Dubbing, The (Knight Of The Woeful Countenance) ^^ 26. Long-Legged Life/A Sailor Went to Sea, Sea, Sea > 27. Annie Laurie [Regulus's Theme] 28. Scarce O'Tatties 29. Invernia [Voldemort's Theme/Harry's Death] 30. Riverdance [Harry's Resurrection] 31. Perhaps Love < 32. Dela (I Know Why the Dog Howls at the Moon) * 33. Bless The Broken Road *
* = Sung by the original artist ** = Sung by James *** = Sung by James and Remus + = Sung by Young James and Young Lily ++ = Sung by James and Harry +++ = Sung by James, Harry, and Remus ^ = Sung by Ensemble ^^ = Sung by James, Becca, and Remus > = Sung by Hermione and Ginny < = Sung by James and Becca
All instrumentals (ones that don't have a symbol next to them) are Irish folk songs played by the 101 Strings Orchestra except for Hedwig's Theme, which is by John Williams and played by whatever band made the demo CD to accompany my flute book.
Anyone interested in a copy of the soundtrack, I can make it for you. | | |
| Day 2I didn't write quite as much today as I had thought I would...only seven pages, compared to a total of eleven yesterday. But all in all, I'm pleased. I'm five days ahead of schedule.
Scene I is kind of an introductory scene. Scene II has a lot of action in it. Scene III is mostly talking. So is Scene IV, but it introduces Ed and Anita.
I've posted Scene I already, and I'll probably post the other three scenes tonight or tomorrow. | | |
| SCENE I(As the title and opening shot plays, music begins ("Wind that Shakes the Corn" by the Irish Rovers). When camera focuses on JAMES, the music fades into the background.)
EXT: A graveyard on a hill. Weeds choke most of the graves, rendering the names illegible. It is grey and windy, and obviously cold. Camera pans to skeletal tree, which rattles violently in a sudden gust of wind, then shifts slowly to a cornfield next to the graveyard, which shakes and rustles as it bows against the wind. Shot widens to include trees, cornfield, and graveyard, including a black metal fence with a high scrolled arch over the gate. Camera then zooms in on this gate and the figure standing there.
The man standing at the gate is wearing a black trench coat and a fedora clamped firmly down over his hair. His eyes are hidden beneath the brim of the hat as he looks up at the hill, but the general air is one of infinite sadness. One hand rests lightly on the gate. The wind lifts his hat slightly and his eyes can be seen. It is JAMES.
JAMES (whispers softly, barely audible) I should have been there for them. Why I survived when they didn't, I'll never know. But I should have died.
He grips the top of the gate slightly.
Camera zooms in on his hand--strong, powerful, careworn--as it rests there for a second, then slowly travels down the gate to rest on the latch. For a second, the fingers fumble with the catch, but then slowly they draw away. Camera zooms out to include JAMES's face, the look of pain and sorrow, as he turns away.
JAMES No...no. I have a long way to go...before I can forgive myself enough to go in there.
He heaves a sigh and blows a kiss towards the top of the hill, then turns to go and nearly knocks over a young man standing behind him. The young man is wearing a black cloak with a hood pulled up over his head, partially shadowing his face and hiding his eyes. In his left hand is a bouquet of flowers. Although neither one knows the other, it is HARRY.
HARRY Sorry...I'm sorry...
JAMES No, no, it's my fault. I'm sorry, I'm a little preoccupied. (Hesitates, then looks down at the flowers) Do you know someone buried here?
HARRY (Nods. Quietly) My parents. And most recently my godfather.
JAMES (With sincerity) I'm sorry about that. When did your parents die?
HARRY When I was a baby. (Hesitates, then) They were murdered.
JAMES I'm sorry.
HARRY raises his eyes to look at JAMES, who steps back, startled. Briefly, a face--that of LILY--flashes across his vision, giving him the same look, before it is replaced by HARRY, who speaks.
HARRY Who...I mean, do you know someone who's buried here?
JAMES (Shakes his head slightly to clear it, then nods) My wife and son...and I think my best friend.
HARRY (Surprised) You think?
JAMES (A touch reluctantly, as though he isn't sure he wants to share this) I...I kind of cut myself off from the world when my family was killed. I went so far as to move out of the country to get away from the pain...but I've decided to re-enter the world. I asked someone if they had heard of him and they said he was dead.
HARRY (With obvious compassion) I'm sorry. (Brief pause as he looks up the hill, then back at JAMES) Were you going in?
JAMES No, I...I just left.
HARRY Okay. I suppose I'll see you later then.
HARRY turns and opens the gate, then slowly advances through the graves. Camera stays on JAMES as he raises his eyes to the hill, watching HARRY's progress, then sighs, turns, and walks away. As he does so, the music comes back in and plays the final few lines of "Wind that Shakes the Corn".
Fade to black.
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